Posted on February 15, 2019
Wednesday morning at dawn a solitary pied-billed grebe paddled through a misty oxbow lake called La Parida Banco in the Lower Rio Grande Valley National Wildlife Refuge. La Parida translates from Spanish as: one who has just given birth, perhaps the most apt description I’ve ever heard for a wildlife refuge. I contemplated this meaning as the little grebe and I shared a cold February sunrise in the North American tropics of South Texas.
Though we occupied the same space, we came to La Parida on different errands: his was a search for food and safety on an island of wild sanctuary within an ocean of human development. Me, I was surveying the site of the first major border wall construction in Texas since 2009, the construction that would devastate the pied-billed’s home.
Yesterday, wall construction began. I walked the Rio Grande levee at dawn and instead of the usual hawks, herons, turkeys and orioles, I was greeted by a battalion of law enforcement. I knew by the ripping feeling in my heart that this signaled the beginning of wall construction, a feeling that was confirmed when I saw an excavator arm moving like a giant insatiable insect over the forest. My mind went to the birds that had been building their nests in the forest; the butterflies who had laid their eggs on the underside of leaves hoping to keep them safe from predators; the tortoises and snakes in the brush, the bobcats and coyotes quietly hunting shrews and cottontail.
Grief has made itself a home in the borderlands of late.
But my thoughts were quickly interrupted by a by a Border Patrol agent, kindly telling me to leave. I backed slowly away, eyes still on the arm of the excavator moving purposefully over the forest just beyond a long line of Border Patrol and other law enforcement officials.
My walk back to the parking lot in Bentsen state park was one of my lowest moments in the past ten years. I have been documenting the US-Mexico border for more than a decade, since the Secure Fence Act of 2006 mandated the construction of more than 700 miles of border barrier through one of the most important biological regions on the continent. [See Embattled Borderlands ]
This land provides home to the highest diversity of birds and butterflies in the continental US; five of North America’s six cat species; resting and refueling for 700 migrating animal species; and a last hope for some 100 threatened and endangered species, including Sonoran pronghorn, desert tortoises, cactus ferruginous pygmy owls and many more whose futures are tied to this land. [see this report by the Center for Biological Diversity]
That future hangs by a fragile thread. In 2018, Congress approved $1.6 billion for wall construction on the border. Last spring, the Trump Administration began building wall in New Mexico. Construction began yesterday in La Parida. Surveyor stakes have been planted delineating the “enforcement zone” where forests will be cut. And Congress is adding another $1.3 billion in border wall funding in 2019 in order to avoid another government shutdown. Several locations in the Valley have been given a reprieve in this legislation, but not the Lower Rio Grande Valley refuge, not La Parida, she who has just given birth.
The ecological stakes of this political bartering have been well documented. Since the 1990s the US government has constructed about 400 miles of solid barrier, through the 2,000-mile borderlands. This wall has severed migration corridors for endangered bighorn sheep, ocelots, jaguars and wolves, caused damaging floods, degraded fragile watershed ecology, and fragmented and destroyed tens of thousands of acres of habitat essential to wild species. The barriers and habitat loss come at the worst possible moment, as climate change is exacerbating the frequency and intensity of droughts in the Southwest–a time when wild species’ best hope of survival is the ability to migrate.
These threats would normally be prevented by bedrock environmental laws like the Endangered Species Act, Clean Water Act, and National Environmental Policy Act. But a provision in the Real ID Act of 2005 allows the Department of Homeland Security to waive all laws to expedite building of a border wall.
Here in the Lower Rio Grande Valley the direct damage of habitat fragmentation and destruction is compounded by a history of large-scale agriculture, energy and residential development. More than 95 percent of the native habitat in the Valley has been replaced by agricultural fields, oil wells, wind farms, roads, subdivisions, and shopping centers. Within what remains of this endangered ecosystem, one of the most unique wildlife communities on the continent fights for survival. South Texas sits within a natural borderlands at the overlap of the north and south of the natural world, where temperate bird, butterfly, mammal and reptile species coexist with their tropical cousins.
It would be hard to overestimate the natural value of the La Parida refuge. It is one piece of the larger Lower Rio Grande Valley National Wildlife Refuge, a collection of the most valuable ecological lands along the last 275 miles of the Rio Grande. The refuge began as a desperate attempt to save what was left of a vanishing ecosystem. Decades of work, thousands of volunteer and staff hours, and many millions of dollars have created what is now one of the most important wildlife corridors in the country. Refuge land and state parks, along with private preserves like the National Butterfly Center, offer one last hope for thousands of wild species. But this corridor along the Rio Grande sits directly in the path of the border wall, which will be built on the Rio Grande levee.
Few in the United States have ever heard of La Parida, but this refuge has given birth to the grebe, kiskadee, green jay, ringed kingfisher, red tailed hawk, bobcat and javalina. This land is essential. It is home. It is life. But as I look across the water to the Rio Grande levee where construction equipment moves over the land, I see death on the horizon.
Come and protest the desecration of the Rio Grande Valley-noon, Saturday, 2-16-19 at Bentsen-Rio Grande Valley State Park. If you can’t come, call your members of Congress today or write an op-ed for your local newspaper. Be a voice for the borderlands.
Krista Schlyer is a conservation writer and photographer and author of the book Continental Divide: Wildlife, People and the Border Wall. She is currently working on a film with Jenny Nichols and Morgan Heim called Ay Mariposa, which tells the story of two fierce women and a community of butterflies on the front lines in the battle against the border wall.
Category: Borderlands, Borderlands Project, Continental Divide, Featured, Uncategorized, Writing Tagged: ay mariposa, beauty, border, border wall, conservation, construction, ilcp, immigration, international league of conservation photographers, la parida, Lower Rio Grande Valley, national butterfly center, nature, resist, resistance, texas, wildlife, wildlife refuge
Posted on February 7, 2019
Today is also the 10th anniversary of a much lesser known historical event — the Borderlands RAVE. It was an expedition I organized with the International League of Conservation Photographers, focused on raising awareness of the beauty and biodiversity, value and vulnerability of the US-Mexico borderlands after the passage of the Secure Fence Act of 2006.
There were 15 of us on that trip, some of the most committed photographers, scientists and filmmakers I’ve worked with. We traveled the border from San Diego to Brownsville from January 19 to February 19 of 2009. We documented some of the most exquisite beauty and rarest habitat in North America; stayed with border residents who opened their homes to us and shared their stories of love for their homeland on the border. We were detained by Border Patrol and by flat tires and desert sand. We slept under the endless desert sky.
The last days of the trip were spent in the Lower Rio Grande Valley, where less than 5 percent of native habitat remains and border wall construction had already begun to fell forests and scrape the land bare, leaving no secret passageways or gentle quarter for endangered ocelots and jaguarundis; setting the stage for massive flooding that would drown imperiled Texas tortoises in 2010; and diminishing an already nearly vanished refuge for birds and butterflies.
When the trip ended we had gathered thousands of photographs, undeniable evidence of the importance of the borderlands and the threat that a wall posed to them. I believed then that if we just showed Congress our evidence, that this kind of destruction would end. In March of 2009, I created an exhibit of our team images and worked with Defenders of Wildlife, the Sierra Club, Center for Biological Diversity, Mennonite Central Committee and friends and family to install the exhibit in the House of Representatives. We had a reception and briefing, where many members of Congress came to speak of their opposition to wall. We did the same thing in the Senate in November 2009, on the 20th anniversary of the fall of the Berlin Wall. And senators came to speak about their opposition to the wall. We had a newly-elected president who, when he was campaigning, had said:
“The walls between the countries with the most and those with the least cannot stand. The walls between races and tribes, natives and immigrants, Christian and Muslim and Jew cannot stand.”
But President Barack Obama had voted for the Secure Fence Act, and he would continue to build the border wall that George W. Bush had started.
Flash-forward 10 years: I left my home in Washington DC this morning and got on a flight to South Texas where border wall construction in the Rio Grande Valley is starting up again. Donald Trump has become the fourth successive president, starting with Bill Clinton in the 1990s, to expand the US-Mexico border wall. Trump will, like the others, start on National Wildlife Refuge land, because it is easier to destroy the homes and futures of wildlife than to take land from Texans. Trump will also take private land, but he will start with the low-hanging fruit, public land, where he has already waived the Endangered Species Act, Clean Air Act, National Environmental Policy Act and every other law that would impede construction. Congress gave the executive branch that power under the Real ID Act of 2005.
Tomorrow I will witness and document the destruction of forests where birds have begun to construct their nests and butterflies have laid their eggs; they will be torn down by machines funded by American taxpayers.
My first instinct is to end with something snide, like: Happy Anniversary.
But that would suggest it’s possible to simply shrug off this moment, and accept walls as an inevitable feature of the modern world, along with mass extinction of Earth’s biodiversity, climate chaos and nationalism. It isn’t and they aren’t. So instead I’ll end by asking every person who reads this to make a phone call to their members of Congress, because one thing I’ve learned is that politicians don’t do things because they are right or wrong, they do them because their constituents demand it.
Posted on January 14, 2019
The following text is excerpted from River of Redemption: Almanac of Life on the Anacostia, published in November 2018 by Texas A&M University Press.
At icy dawn, the city remains gentled in night’s deepest repose. Walking past slumbering bungalows and a shuttered gas station, through deserted streets, across empty railroad tracks and along the edge of a sleepy forest– I traverse a dark, noiseless mile to the frosted footbridge at Bladensburg Waterfront Park.
Upriver, near the confluence of the Anacostia’s northwest and northeast branches, hundreds of Canada geese huddle together, raising a dark feathered shield against winter’s white knife and its unusually sharp edge this January morning. Last night an angry north wind descended on the watershed, driving temperatures to a low of minus 11 degrees Fahrenheit, more than 20 degrees below normal.
Today’s river landscape testifies to the hard hand of that north wind. At low tide a rigid silt sandbar covers the west side of the riverbed, and a half-inch of ice caps most of the remaining water surface. Downstream, the river departs to the southwest through a luminous white forest, gleaming toward the heart of Washington D.C.
I stand at river’s edge in Bladensburg, Maryland, once one of the busiest shipping ports in North America, a nucleus for trans-Atlantic trade in tobacco cultivated by the hands of enslaved Africans. This soul-weighty cargo succored a fledgling British colony and fueled an American revolution, all while sending a webwork of moral and ecological fissures spidering through the foundation of a young nation.
The thought sends a tremulous chill through my bones, though the Bladensburg waterfront before me bears little witness to this tortuous historical fault line. A few memorials to the War of 1812 are all that’s left as direct physical reference to what happened here, and day-to-day this humble space exists as a much-loved nexus for people and the Anacostia River. But in the silted shallow riverbed and bare-turf landscape, the river remembers.
On a slow stroll along the park’s riverside walk, I step out onto a floating pier, where I encounter a single Canada goose asleep on the cold wooden platform. I stop, wondering why he is separated from the larger flock and surprised that he has not been roused by my presence. Inching a few feet closer I observe that the morning frost, which has settled on the river landscape, its trees, riverbank, and pier, has also laid a glittering glaze over the goose himself, whose head is locked tightly in the thick down of his back. When I approach within a few feet of the bird, he still does not stir. I reach out, tentatively, and lightly touch a tail feather, preparing myself mentally to be scared witless when the goose awakens.
The feather crunches beneath my finger–the goose remains utterly still. Here is a sleep my winged friend will not be waking from.
Leaving the bird to his eternal rest, I make my way to the bank on the opposite side of the river. Ring-billed gulls have gathered on the western shore, tapping their beaks softly against the thin crust of ice covering the mud flats, searching for soft-bodied creatures in the warmer earth below. Gulls are argumentative, pushy birds by nature, but today they are solemn and respectful of each other, and barely bother to look up when I approach. In this deep cold, there exists a momentary truce. We are all too busy surviving the deficit of light and warmth to meddle in each other’s affairs. There is too much to lose in January.
We all, each Anacostia and Earth resident in our own way, have strategies for surviving the deprivation moon. And in this month of scarcity and dark vulnerability, we each harden our creaturely resolve and lean, as ever, toward a universal prime directive– what Aldo Leopold called, “freedom from want and fear.” It is a desire never attained in life, not really, but ever sought-after for all who move about on this planet, whether they are rooted to the earth and reaching toward the sun, or walking, flying, or swimming in search of life’s next pressing need. This elusive prize fuels our action and existence, from humble subsistence to greedy conquest. How a creature or community pursues this fundamental freedom, will ultimately define it.
Leopold’s anxious ambassador for this universal endeavor was a meadow mouse, gleefully building his snow tunnels and food storage rooms, gathering his brittle brown grasses, all in the safe obscurity of winter’s white cloak on the Sand County land.
“The mouse is a sober citizen who knows that grass grows in order that mice may store it as underground haystacks, and that snow falls in order that mice may build subways from stack to stack,” Leopold wrote.
For mouse, unlike goose and gull, a long harsh winter offers rest, a relative reprieve from the ever-keen eyes of winged predators. It is here, under the deprivation moon, he has a frosty window on a world free from fear and want. For this clever mouse, snow is a building material and shroud for protected transportation pathways out of the eyesight of raptors, and for storage rooms to house a larder of grass for a well-fed winter mouse. The hawk, whose great advantage of speed and vision is stymied by the snow, will hold on over hungry months, awaiting a warm spell or the spring thaw, when mouse pathways are generously revealed, and another winter has passed into spring–a season of increasing freedom from fear and want.
My Anacostia gulls, if they live through this trying winter, will surely experience a similar spring euphoria, and will undoubtedly squawk and caw about their spring fortune loudly and often. I anticipate shaking my head and rolling my eyes at their brash boasterisms sometime in a near warmer future, but in truth, they will then have earned bragging rights. Though they themselves are not modest, gull, like hawk and mouse, seek a modest fortune, nothing more than freedom from hunger, and a sheltering space insulated from the icy grasp of death. They harbor no desires for superfluous luxury, their pursuit is simple–they want only a chance at life in all its luminous elemental dimensions.
Today, that pursuit demands determination, discomfort, and an efficient stillness. Gulls keep their wings tucked tight, voices quiet, and heads down.
I do the same, substituting arms for wings, and leave them to their winter misery.
On normal days, even in winter, attempting to walk out onto the silted shallows of the Anacostia would be treacherous. Many have died in the urban sludge that has accumulated on the Anacostia bottom over the past four centuries of America’s pursuit of freedom from fear and want. Our proclivity to hound every manner of superfluity led to the felling of ancient forests, silting of the river and elevation of the historic riverbed some 40 feet–bringing an end to the bustling port of Bladensburg. It is now almost beyond imagining that ocean-going ships once docked at this spot on the river.
I test the earth of river bottom and find it icy-firm, a rare opportunity to experience a moment within the arterial wall of the Anacostia. We are all, always, within the body of a river. Every upland and lowland inch of the watershed plays a part in the river system, from my own backyard, to the headwaters at Sandy Spring in Olney, Maryland, to the smallest trickling capillary entering into the Watts Branch. But here, upon this artery at river-heart is where it all comes together.
On any given day the Anacostia, like all rivers, is ever new. It is the same water course, but eternally changing and ever changed, reinvented by moods of wind and weather, the magnetic pull of the moon on its waters, the restless angle of sun’s illumination, and the wingbeats, splashes, and songs of its wild inhabitants.
I stand in the middle of a unique moment flowing together with an infinity of distinct river moments–there is a timeless surge of power here that jolts the senses and urges me forward.
Cautiously I test each step before I take it, and when the river begins to give beneath my weight, I go no further. By this point I am nearly standing in the middle of the Anacostia and can view the sculpted work that winter wind and restless tides have made of the river. The deep freeze that came in the night during a higher tide capped the river in thick ice, but when the tide began to go out and the air began to warm, rigid sheets of Anacostia began to buckle and break apart, like a river-puzzle–each piece now set aglow at the edges by the subdued light of a far-distant sun.
The fractured ice gives new voice to the Anacostia, a grumbling, groaning river-resentment as tide and current jostle the river’s assemblage of broken ice sheets. But the real river drama must have happened sometime in the dark early morning hours, when shifting tide and climbing temperatures pried the largest pieces apart. This thunderous cracking, for a massive volume of water must have be something to hear–a soundtrack echoing the epic ecological dynamism that over so many eons of fire, ice, water, and wind–of continents colliding and seas ever-rising, ever-falling–created and continues to recreate this river watershed.
Somewhere in the earth beneath my feet there lies a record of the grand incomprehensible ages of river life. Somewhere, running deep beneath the riverbed, back through time beyond reckoning, it leads down to a primal era where river life radiates in its purest form, from some ancient infernal source, through a billion years of rock, clay, sand, and silt. Down 50 feet, 100, 500, 1000–there lie the hallowed earthen halls of river memory.
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