Confluence Moon

The following text is excerpted from River of Redemption: Almanac of Life on the Anacostia, published in November 2018 by Texas A&M University Press. Each chapter of the book is titled according to the custom of many native North American cultures, to name a month for the defining quality of its days. Anacostia Almanac months are defined by two temporal threads–our present days within particular seasons, and the days throughout time that have led to this moment in the watershed.

White-throated sparrow

Confluence Moon

For the past week a young white-throated sparrow has been camping out in my yard. His song wakes me every morning, very, very early, before the sun has made the slightest hint of light on the eastern horizon. Before I have any intention of getting out of bed. So I just lay there, awake and listening in the darkness.

Bird reference books often translate the white-throated’s song into the phrase Oh sweet Canada, Canada, an apt description of both the phonetics and the tone of these birds. Theirs is a wistful song constructed of minor notes, as if they are always preoccupied by thoughts of some other time and place, some melancholy memory or remembrance of a long lost friend. My visitor sings throughout the day, distracting me from my work as I would rather listen to him than do just about anything else. Though…I’ve gathered he is a young bird because he seems to be practicing…and in need of practice. Sometimes he gets it right, but often he goes off key or loses pitch entirely or devolves into a whistle. He sounds like a gawky teenage boy whose voice is changing; every time he opens his mouth, what comes out may be a boy’s treble, a man’s baritone, or some crackling squawk that lies somewhere in between. His song lacks the grace and assurance of a mature songster, and he appears to be quite alone. I have seen no other white-throateds for a few days. I doubt his pitiful song has chased them off. By now, many of my winter sparrows have begun to migrate north to Canada. Perhaps he is staying behind to practice before he journeys to the breeding grounds and attempts to woo a lady. That would be a good plan. He’s not ready from what I can hear.

Yesterday I noticed the first buds on the walnut tree outside my back window. A few have already dropped into their bright green bloom, like clusters of tiny green grapes; but most are little more than bare twig with the slightest brown nubs just waiting to sprout. Within days the green thoughts percolating within these nubs will burst forth, attracting the attention of hungry squirrels, and very soon after that, my house wrens will return from points south and begin their seasonal governance of the walnut tree where for years they have raised their young. They will scold squirrels, sparrows, and humans alike if we dare to enter their defense perimeter. I once saw a napping squirrel harangued for fifteen minutes by one of these feisty birds, which are the size of a ping-pong ball and about as heavy. If a squirrel was inclined, one punch of its paw in the wren’s face would send the little ping-pong bouncing, bounce-bouncing. But squirrels rarely seem inclined toward violence, and wrens are disarmingly cute.  This particular squirrel ambled off and found another branch further from the wren house where he could nap in peace.

Life seems to move so fast in these early weeks of April, everything becomes a battle for who will live the boldest and claim the best space for sun and food and shelter. Who will project the moxy that keeps interlopers away from their homes. Who can adapt to changing climates and conditions and still manage to thrive.

A juvenile beaver on the Anacostia River in Washington DC. Castor canadensis

In search of some of this wild life I head out on my bike. On the bridge that spans the Northwest Branch on Rhode Island Avenue, I see a swallow emerge from one of the drains that empties into the river. He flies around for a spell then returns to the hole, apparently having built a nest within. It’s just a small hole, about the circumference of a baseball, about the size of a swallow, in the center of a 30-foot high concrete wall that channels the Northwest Branch toward its confluence with the Northeast Branch. I can imagine that to this little bird it resembles a cave in a high cliff wall, the kind of place his ancestors nested in, though a lot, lot noisier. And here, watching the swallows flying in and out of their concrete cave near the merging point of main branches of the Anacostia, I consider the idea of confluence: two distinct arms, branches, ideas, coming together into one fluid stream. Throughout its modern history the Anacostia has been plagued with issues of injustice and environmental degradation: the felling of ancient forests, extermination of entire species, decimation of the native people, enslavement of Africans, dumping of sewage and garbage in the river, destruction of wetlands, dumping and burning in poor neighborhoods, decades of failure to do right by this river community.

In the 1960s, the struggle for civil rights paralleled the struggle for environmental protections. Both efforts sought to right wrongs, to end realities that were degrading to all involved, and both sought to compel the machine that had been ripping the garden to shreds–breaking the foundational bonds of community apart–to abide by the dictates of an increasingly more enlightened collective mind. Both were successful, to some extent, for out of this time came the legal framework that seeks to guide our river community on ethical environmental and social paths–the Clean Water Act and Civil Rights Act. But through the tumultuous 60s these efforts generally followed their own separate trajectories. At the time of Kelvin’s death, the ties between racism, poverty, and environmental degradation remained disconnected in the national consciousness.

Then in September 1982, the confluence of environment and justice struck the nation between the eyes when a poor, largely African American community lay down in the middle of a Warren County, North Carolina, road. The residents of Afton had protested the siting of a hazardous waste landfill in their community, but they were ignored. Industry and government made their plans to dump society’s toxic wastes on people they expected would have no recourse against them. As trucks filled with PCB-laden soil rolled into town, the residents, and their allies from the Civil Rights Movement, blocked the opening to the new landfill. For six weeks they protested–marching, laying down, standing up, and sitting down, saying no, no, no we won’t be dumped on. In the end they lost, and toxic waste was unloaded on their rural town.

This wasn’t the first instance of a community resisting an environmental insult. Cesar Chavez and Dolores Huerta organized farm workers in the early 1960s to protest exposure to pesticides and other workplace perils in California farm fields. In 1967, African Americans in Houston picketed a city garbage dump where two children had lost their lives. In New York City, 1968, residents of Harlem protested the siting of a sewage treatment plant in their community.

And of course, Kenilworth residents gathered to block the entrance to Kenilworth dump in 1966. But none of these efforts had garnered nationwide attention as protests for environmental equality. Something different happened after Afton’s failed protest. One of the protesters that joined that effort, Washington D.C. resident Walter E. Fauntroy, a long-time civil rights activist, took a decisive step. Fauntroy was by that time serving as the Congressional representative for the District, and though he had no voting rights, he did have the power to request a study from the Government Accountability Office about the siting of hazardous waste facilities. That study, published in 1983, found that three out of four hazardous waste landfills in the Southeast were located in poor and largely African American communities. More studies followed around the nation, and a trend became apparent–if you were economically disadvantaged and a racial minority, you were significantly more likely to have a waste facility in your back yard. Kenilworth dump was the rule, not the exception. There were thousands of Kelvin’s nationwide living, and sometimes dying, in the waste of an indifferent world.

 

I stand on the bridge watching swallows make do with their concrete cliff home as traffic on Rhode Island Avenue flies by, and the Northwest Branch rolls ever onward toward its confluence. Near the water surface, another pipe enters into the stream, this one with a stain of grime left where polluted water has trickled out for decades. I notice someone has painted the figure of a peasant, holding his hands under the foul pipe, washing.

And out of nowhere, on an Anacostia breeze, the words of a King return to me:

“I have a dream that one day this nation will rise up and live out the true meaning of its creed: ‘We hold these truths to be self-evident, that all men are created equal.’”

Forest in the headwaters of the Anacostia River.

 

You can buy a copy of River of Redemption: Almanac of Life on the Anacostia at your local bookstore, online booksellers like Amazon, and you can get a signed copy in my online bookstore.

Waking Moon

The following text is excerpted from River of Redemption: Almanac of Life on the Anacostia, published in November 2018 by Texas A&M University Press. Each chapter of the book is titled according to the custom of many native North American cultures, to name a month for the defining quality of its days. Anacostia Almanac months are defined by two temporal threads–our present days within particular seasons, and the days throughout time that have led to this moment in the watershed.

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Fog envelops the upland forest of the U.S. National Arboretum this morning, where a monochromatic quilt of chocolate, café-au-lait, pale beige, and khaki cloth, blankets the woodland floor. Stitched in the shapes of oak, beech, poplar, black gum, and tupelo, they are a memory of November’s final act at the end of last year’s growing season. When the autumn curtain fell, it landed ever so softly here–and here it stayed to gentle the hand of winter; to give warmth to the roots and tiny creatures that slumber through snow and ice in the tired heart of the forest. These leaves are proof positive of things coming up before they fall, of what was and will be again. They blanket a promise the land is hiding under air alive with intrigue, under this watchful fog, November’s guise, a beguiling disguise for a wakeful land.

I crouch low to the ground and lift a corner of the leafy quilt. At first I find…soil. Just sleepy soil. The record of autumns past, of leaves rummaged by little bird feet, sorted and tossed by the busy hands of squirrels, chewed up by ant and worm and an unseen menagerie of insect oddities.  These characters, alchemists all, transform the spent and fallen leaves, the discarded solar collectors of the forest, into growing season gold. They transubstantiate sun and leaf, into life!

Just soil.

And upon it I find no insects crawling. Not one. No tiny skink, or ant; millipede or spider. Just soil–rich waiting, portentous, expectant earth. Soil is nothing. It is everything. As John Burroughs wrote: “The soil is marrowy and full of innumerable forests. Standing in these fragrant aisles, I feel the strength of the vegetable kingdom, and am awed by the deep and inscrutable processes of life going on so silently about me.”

It should be enough to find soil, to rejoice that, in fact, the dirt is right here where I last saw it. But today I seek something else, soil in its next form, transformed by sun and seed. There is no visual evidence, no sign on the forest floor of what lies below, this hidden hope, but I know it is there buried in the brittle brown pages of forest history.

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I lift another hem of the leafy quilt and there it is, my quarry: a small, determined cylinder, the size of my pinky finger and the color of alive; a nascent, newborn green digit, pointing itself with unbreakable determination toward the sun. This coil of leaf is wound so tightly around itself that the only visible evidence that it is not a solid mass are tiny lines that spiral round the outside of the sprout. The coil protects the tender plantling from the guile of winter’s last grasp, from the inescapable uncertainty above the warm earth; leafy layers harbor heat at the heart of the matter. The coil also creates a rigid structure strong enough to part the soil from which it must emerge. Such effort! Though my eyes cannot detect upward movement, I can almost hear it groaning with the strain. This taut, perfect package pushed its way from root through compressed earth, through topsoil and into humus, adding girth to its green self along the journey. It began as a germ. Using the rich decay of millennia of forest life it grew into a pregnant idea of a plant, a thought for a future life unfurled in the sun as a pretty little frog parasol planted in the forest floor.

Mayapple.

I knew you would be there, little green soldier always standing at the front lines of winter’s last stand. You see, war rages in the Anacostia watershed this morning. Noiseless and nearly imperceptible, it is the battle of two epic forces meeting at the boundary of their temporal domains.

Winter has staked an early, decisive claim over this March day, holding an icy hand over the land, bidding tree, insect, and amphibian to sleep…sleeeep. But spring entrenched itself into the soil yesterday and now rises up to meet the dawn calling flower, bird, and fox to wake! Wake! For the moment, neither will give ground and the clash spreads an enveloping fog over the land. I walk upon this misty precipice between restive winter and frenetic spring, imagining I might pinpoint the exact moment when frost surrenders to fecundity.

A week ago we had our first snowstorm of the strangely mild winter, along with bitter gale force winds raging through the watershed. Freezing rain formed icicles dripping like glass from the first rosy buds of redbud trees. The entire river landscape seemed dipped in glimmering liquid crystal.

Anacostia 3-15-17-3061

Transitions in time and thought, great battles between epic forces, do not come easily.

But now the sun lingers longer every day, melting ice from bud and coaxing the first blush of spring onto the fingertips of bare-armed maple trees. In the marshes, red-wing blackbirds and cattails grow bolder: the one flashes ever more fiery shoulder patches and ushers chattering challenges to rivals; while the other begins to push new green spikes through wetland earth. From within the lowland forest at the edge of the river, spring peepers have begun to chorus haltingly, their song charms water snakes, who begin to peek out of their cozy winter holes.

The robins are singing, the redbud has unfrozen, and the osprey has returned to the Anacostia sky. I spied him from my kayak a few days ago and such joy I felt when I recognized his far-off form, to know that against unimaginable odds he has survived his grueling odyssey to South America and back. Anacostia born and bred, his biology dictated that he make a life-or-death gamble on a three-thousand mile journey upon wind and wing. He had to find a safe winter haven, then gamble once again when he took flight for home, that spring would beat him back to the Anacostia. If by chance he had landed here on a city still covered with snow, a river whose fish were locked beneath a sheet of ice, death would have greeted him at the door of his lifelong home. He could not go back to Brazil, weary as he would be. He would have to simply lay down upon the Anacostia earth and melt away.  When the osprey arrives home in March, I know there is no going back to winter. As Aldo Leopold said of the Canada goose’s return to Sand County: “His arrival carries the conviction of a prophet who has burned his bridges.”

Every year, when the osprey returns and the hours of light and darkness are poised in near perfect equilibrium, winter’s pale chill lingers despite spring’s onrushing radiance. When the forest remains asleep but with eyes aflutter, I come to this forested bluff at the edge of the Anacostia, searching. Ostensibly, I am searching for a particular sign of the coming spring, a very small electric green sign that signals the land has marked the approaching angle of the sun.

But I am also looking for something less tangible, something entirely insubstantial but enormous; a pathway of memory to an elusive portal leading to the Anacostia of old.

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Beyond the hem of this forest, the columns of the first U.S. Capitol building rise out of a hilltop meadow, strange and incongruous. The Corinthian columns were originally erected in 1828 on the east portico of the Capital, but as the building grew they became obsolete and were later relocated atop this hill in the Arboretum. A monument can be a reminder of many things. These columns speak of history, of legacy, of the long making of a capital city. Today, in this fog, with the breath of land and river rising to cloak the columns, they also speak of a river landscape long subdued and erased into utter forgetfulness.

Over the past centuries, since before those columns were originally built out of sandstone quarried from Aquia Creek in Virginia, we removed all memory of what a watershed is. We scraped away, paved over, cut down, and carted away our watershed context: dumping dredge on wetlands, putting parking lots over former forests, even covering over the very streams that fed the river–turning gentle babbling waterways into pipes and culverts. We have no memory of what it means to live in a watershed because we can’t see one anymore. Most residents have never considered this absence, because in effect, we have imposed on ourselves an ecological dementia. How do we go forward wisely, when we cannot summon what we left behind? How can we restore the Anacostia watershed if we can’t remember it?

Anacostia 3-30-17-0097At the Arboretum, I look for a conduit to an ecological synapse that has not been fully severed, hoping to conjure the lush land that sprouted as the Pleistocene chill abated, a land that felt the feet of badgers, bison, and wolves, that met the eyes of the first humans who ever set foot here in the Anacostia watershed. It is nothing more than an intellectual exercise–that watershed is gone forever. But the practice offers something important. Here at this spot in the Arboretum, called the Fern Valley Trail, the U.S. Department of Agriculture has endeavored to recreate a piece of that native Anacostia in the upland woods, the forest floor, the bend of a clear creek rushing down the hillside toward the river. There is no place like it in the Anacostia watershed for the density of land remembrance.

Tourists often come to the Arboretum to view exotic plants from Japan and China: bonsai, cherry trees, Japanese maple, and bamboo. I come to be transported not to a forest a continent away, but rather to my own home, centuries distant and so much further beyond my reach. Here, in this recreated land, it is possible to breathe air that is an echo of an Anacostia unbroken. To find a germ of an idea of what may have been, and thus, a thought, a hope, a prayer for what could be again.

Fern Valley is alive with pulsing synaptic memory of bloodroot, woodland poppy, Dutchman’s breeches, towering sycamore, oak, pine, and maple; of chickadee, kinglet, and owl; assassin bug, butterfly, and beetle.

I keep an eye out every March for the mayapple, a green umbrella beacon guiding the way toward the growing season. I know when I see them pressing upward, that beneath this sea of fallen leaves a whole green and buzzing world is already rising, just below the soil unseen: soon there will be fiddlehead, bloodroot, trillium, spring beauty, trout lily. Long ago these early risers, the first of the spring bloomers were dubbed wake-robins, because it was understood that when they appeared, the long quiet of winter was over, it was time to rise for bird, bee, and butterfly, it was time to wake, robin.

From every slumber there must be an awakening.

***

You can buy a copy of River of Redemption: Almanac of Life on the Anacostia at your local bookstore, online booksellers like Amazon, and you can get a signed copy in my online bookstore.

River of Redemption: Almanac of Life on the Anacostia

Incorporating seven years of photography and research, River of Redemption portrays life along the Anacostia River, a Washington, DC, waterway rich in history and biodiversity that nonetheless lingered for years in obscurity and neglect in our nation’s capital.

Inspired by Aldo Leopold’s classic book, A Sand County Almanac, Krista Schlyer evokes a consciousness of time and place, inviting readers to experience the seasons of the Anacostia year, along with the waxing and waning of river’s complex cultural and ecological history.Schlyer_jacket_web

Blending photography with informative and poignant text, River of Redemption urges readers to seize the opportunity to reinvent our role in urban ecology and to redeem our relationship with this national river and watersheds nationwide.

The book is now available at Politics and Prose, Kramerbooks, and online booksellers like Amazon.

Reviews of River of Redemption

“Krista Schlyer rediscovers a treasure in our nation’s capital, the Anacostia River. A gifted story teller and photographer, she leads us on a moving expedition of human failure and the miracle of nature’s renewal.” –TOMMY WELLS, Director, DC Department of Energy and Environment

“Krista Schlyer has woven her way into the soul of the Anacostia with poetic prowess….a symphony of beauty through words and photos.” –BRENDA LEE RICHARDSON, former Director of Earth Conservation Corps

 

RIVER OF REDEMPTION SYNOPSIS

Seventy years ago, when Aldo Leopold was writing his prophetic essays in Sand County Wisconsin, the culmination of all his fears was unfolding on the banks of the Anacostia River in Washington DC. The river’s ecological fabric had already been torn from every possible angle. It had been channeled, walled, deforested and dumped on. While Leopold was writing about the meadow mice and oak trees of Sand County, the National Park Service was lending out the banks of the Anacostia as a dumping grounds for the refuse of the nation’s capital. That garbage was burned every afternoon in one of the city’s most impoverished neighborhoods. On the banks of the Anacostia came the violent collision of colossal failures in ecology and justice–all brought to a painful nadir in 1968 with the death of a small boy named Kelvin.

A bald eagle on the Anacostia River, Washington DC.

Just three hundred years earlier the Anacostia had been a living, breathing artery of life for the Nacotchtank people, but in a wink of time we transformed it into a toxic channel and dumping grounds.

The profaning of the Anacostia was made possible by one factor, forgetfulness.

In our Anacostia amnesia we forgot the beauty of an old growth forest, the joy of jumping in a clean river on a hot summer day, the thrill of seeing a bald eagle soaring high above the earth. We forgot the satisfaction of struggling to haul a healthy fish out of the water, and the simple pleasure of sitting on a riverside and gazing down into a clear water-sky to watch turtles fly with perfect, impossible grace. But most of all we forgot that we are a part of a community of land, water, air, bird, mammal, fish, amphibian and insect. We forgot that this river watershed is our community, a community in which every single resident has both rights and responsibilities for the common good.

 

River of Redemption  is a book aimed at remembering our fundamental relationship with rivers, and imagining a future where that relationship will be restored.

The book was published in November, 2018. You can buy it at Politics and Prose, Kramerbooks and on Amazon and other online booksellers, or order a signed copy today in my Book Store.

You can also read excerpts from the book by clicking on the River of Redemption submenu of the Anacostia Project tab.

Memoir about journey through nature inspires

Thanks for this review of Almost Anywhere Monica Lee-really appreciate your thoughts on the book!

Monica Lee

The only I didn’t really like about Krista Schlyer’s memoir was the title, Almost Anywhere: Road Trip Ruminations on Love, Nature, National Parks, and Nonsense, because that makes it sound vague and light-hearted.

And it’s really not.

almost anywhere.jpgAlthough at times it is funny, that’s true (one reviewer called it a cross between Wild and Let’s Pretend This Never Happened). But Schlyer writes about her husband who (spoiler alert) died, so hers is a story about grief, too.

She writes so beautifully and specifically about her husband, her dog Maggie and the wonders of some of America’s amazing national parks that I can’t recommend this memoir highly enough. My sister gave it to me for Christmas. And it was a great gift.

Schlyer is writing about a nearly year-long journey living out of a station wagon and tent-camping at every national park, historic site, forest and wilderness she and her friend Bill…

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Almost Anywhere in Denver

I’m coming to Denver! I’ll be doing a book reading and signing for Almost Anywhere: Road Trip Ruminations on Love, Nature, National Parks and Nonsense at the Tattered Cover on December 10.  In a nutshell the book tells the story of a trio of misfits wandering the American road in search of wild nature, national parks and cheap Pringles.

What: Tattered Cover reading of Almost Anywhere

When: Thursday December 10, 7pm

Where: Tattered Cover Historic LoDo
1628 16th St. Denver, Colorado 80202

http://www.tatteredcover.com/new-event-calendar

#tatteredlodo

The Sinlessness of Predation

 

This week I’m starting a monthly blog of excerpts from my new book Almost Anywhere: Road Trip Ruminations on Love, Nature, National Parks and Nonsense. This first excerpt is one of my favorite passages from the book, about one of my favorite places, the Cranberry Glades Botanical Area in the Monongahela National Forest of West Virginia. And its about one of my favorite plants, the carnivorous pitcher plant. If you like the excerpt, there’s more where this came from. Pick up a signed copy of the book in my bookstore, or get a copy on Amazon, Barnes & Noble, or, even better, your local bookstore.

The flower of a white-fringed pitcher plant, Alabama. (c) Krista Schlyer

 

Excerpted from Almost Anywhere, by Krista Schlyer

Sufficiently awakened, we decide to make the thirty-minute drive to Cranberry Glades Botanical Area. As entertainment on the way, Bill and I try to sing “The Little Drummer Boy,” but cannot come up with the words. For twenty minutes we sing a loop of: “So, they told me, parumpapumpum, a new born king to see, parumpapumpum, da da da da da da, parumpapumpum, rumpapumpum.”

When we arrive at the Cranberry Glades, we step out into a misting rain for a short hike. Bill sets Maggie in the back while he rummages around looking for her leash and a plastic bag to pick up any droppings Maggie might make along the way. I hear him singing to her as he searches, “You get to walk with us, parumpapumpum.”

Maggie’s ears perk up and she cranes her neck to look up at Bill.

“I’ll get a bag for you, parumpapumpum.

Maggie’s alert eyes say, ‘Yes, yes, go on…I’m listening’

“We’ll put your shit in it, parumpapumpum, rumpapumpum rumpapumpum.”

When Bill has Maggie all squared away, we set out for a walk on the boardwalk that passes over a rare remnant of bog formed 10,000 years ago when glaciers marched over West Virginia. In most places this far south, this ecosystem could not have gained a foothold. But here, nestled in a cool wet crook of the Appalachian Mountains the cranberry bog took root. Cranberries, one of the few fruit species native to North America, were a staple for the land’s earliest human inhabitants. The plant itself can live for 100 years, and generations upon generations of its ancestors have amassed as a spongy platform of peat upon which rests the current blanket of bog plants.

In this place, the death of a thousand years of plant life rests in peace just below the surface of the landscape and forms a springy carpet that cushions the current generation of vegetative, but not vegetarian, life. Because the land is acidic and nutrient poor, some plants must rely on predatory prowess to survive. The sundew attracts insects with sweet secretions along the length of its tentacle like stalks. When the insect takes the bait, it becomes stuck in the sticky liquid, and begins to struggle for freedom. Alert to this movement, the plant contracts to more fully envelop the insect and then secretes enzymes to digest the hapless creature.

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In similarly sneaky fashion, the pitcher plant lures insects into its funnel shaped leaf. When prey falls inside, it becomes trapped in a sort of stomach soup of enzymes.

Carnivorous plants hold a special fascination for us humans. We think of plants as benign, sedentary, guileless. But members of the “other” kingdom have special niches and strategies for survival just like we do in the animal kingdom. We are all looking for ways to hold on, enraptured by life in all its cruel kindness. The infinite ways that we manage to do that, conjured up by countless forms of life, offer an eternity of lessons in living. And the pitcher plant in particular, presents a perfect symbol: It represents a form of life that has by necessity adapted itself through the ages of the earth into a creature stunning in its beauty and brutality.

As I observe pitcher plants sprouting out of the boggy ground in the Cranberry Glades, I recall a reflection by Janisse Ray in her book Ecology of a Cracker Childhood.

She writes, “The pitcher plant taught me to love rain…Its carnivory taught me the sinlessness of predation, and its columns of dead insects the glory of purpose no matter how small. In that plant I was looking for a manera de ser, a way of being–no, not for a way of being, but of being able to be. I was looking for a patch of ground that supported the survival of a rare, precious and endangered biota within my own heart.”

 

 

 

Note: These photos not taken at the Cranberry Glades.

My new book – Almost Anywhere – released today!

My new book, Almost Anywhere: Road Trip Ruminations on Love, Nature, National Parks and Nonsense, has been released today by Skyhorse Publishing. Win a copy of the book on Goodreads!

 

The book tells the story of a year-long adventure I took around the United States to almost every national park and many other wild places–from the home of gentle manatees on the Crystal River to the wind-swept hillsides of the Columbia River Gorge. The journey began as a desperate escape from urban isolation, heartbreak, and despair, but became an adventure beyond imagining. Chronicling a colorful escapade, Almost Anywhere explores the courage, cowardice, and heroics that live in all of us, as well as the life of nature and the nature of life.

Early reviews for Almost Anywhere:

“Brave, beautiful, and utterly captivating, Almost Anywhere breaks your heart and puts it back together again on a long and often arduous road trip across an America where the uncertain future is always just beyond the horizon and the immutable past rushes at you without remorse. Measuring the sharpness of loss against the hugeness of life, Krista Schlyer has found her way, page by page, to a rare state of grace. An amazing book.”

—William Souder, Author of On a Farther Shore: The Life and Legacy of Rachel Carson

 

“Outstanding, wry, heart-wrenching and healing. Those words describe Almost Anywhere, which hits the bull’s-eye as a cross between Wild and Let’s Pretend This Never Happened. Krista’s unique voice will draw you in and take you on a journey to the intersection of unfathomable grief and the healing power of wanderlust.”

––Michele Theall, Author of Teaching the Cat to Sit

 

“This book is an American map. . . . If you want to feel a journey at skin level all the way to the heart, this is your route.”

––Craig Childs, Award-winning author of House of Rain

 

You can buy the book at any bookstore or order it online at AmazonBarnes and Noble, or purchase a signed copy on my website. And in celebration of the book’s release, I’m giving away 5 FREE copies on Goodreads: https://www.goodreads.com/book/show/24693936-almost-anywhere